Amy Stober Serendipity (Books), 2021 Cast polyurethane, acrylic 12 x 12 x 9 inches 
a recollection of dreams — Press Release Art Viewer OFLUXO a recollection of dreams AMINA ROSS | DANA WASHINGTON-QUEEN CURATED BY ZION DOUGLASS May 8 - June 12, 2021 Amina Ross, Etheric Bridge: spring’s sutures, 2021 Steel, cups from friends and family, rain water, tap water, reclaimed cedar wood from NYC water tanks, reclaimed mdf, 4 monitors, media players, soil, salvaged grass from Yale law school’s central courtyard Sculpture is accompanied by audio track: Amina Ross, Metal Crossroad Composition, 2021 Scored by Jared Brown (featuring vocals from Amina Ross) Sound Amina Ross, Spring’s sutures, 2021 4-channel Video Run time: 8:00 Amina Ross, Etheric Bridge: spring’s sutures, 2021 Steel, cups from friends and family, rain water, tap water, reclaimed cedar wood from NYC water tanks, reclaimed mdf, 4 monitors, media players, soil, salvaged grass from Yale law school’s central courtyard Amina Ross, Vision of Beauty UNISEX, 2021 Two MDF panels, polyfill batting, digital print and screen print on poly satin blend 40” x 80” Amina Ross, Fountain Body I (Catharsis), 2019 3D animation and window Amina Ross, Robin. S Mantra Acapelle*, 2021 Scored by Jared Brown (featuring vocals from Amina Ross) Sound Run time: 9:42 dana washington-queen, Circular Metafictions: what remains unbound is gathered, 2020 (work in progress) 2 channel video, stereo, color Run time: 44:11 
Act II: Carcass and the White Light - Alex Ito — Press Release Mousse Art Viewer O Fluxo Act II: Carcass and the White Light ALEX ITO OCTOBER 15 - DECEMBER 3, 2016 Hate (Trinity 1), 2016, Oil on canvas in aluminum frame I’ve only ever known evil, 2016, Mannequin, motor, glass, resin, digital print on fabric, sand, plants, wood, aluminum, paint, vinyl I’ve only ever known evil, 2016, Mannequin, motor, glass, resin, digital print on fabric, sand, plants, wood, aluminum, paint, vinyl Hate (Trinity 2), 2016, Oil on canvas in aluminum frame Against Use (Utility Landscape 1), 2016, Mannequin, aluminum, plastic, enamel paint, foam, iron powder (left) Hate (Trinity 3), 2016, Oil on canvas in aluminum frame (right) Hate (Trinity 3), 2016, Oil on canvas in aluminum frame Against Use (Utility Landscape 1), 2016, Mannequin, aluminum, plastic, enamel paint, foam, iron powder Shelf Life, 2016, CNC cut high density urethane foam and oxidized iron powder Shelf Life, 2016, CNC cut high density urethane foam and oxidized iron powder 
Base Period - Alan Resnick / Lesser Gonzalez — COMING SOON 
Baltimore Museum of Art Salon — Press Release Hyperallergic Artsy The Art Newspaper AVAILABLE WORKS View on the BMA website Baltimore Museum of Art Salon PEGGY CHIANG JOE SPEIER AMY STOBER MARISA TAKAL JUNE 8 - DECEMBER 31, 2020 JOE SPEIER Table 32, 2020 Flatware, linen, and acrylic medium on canvas 36 x 36 inches PEGGY CHIANG No.2, 2018 Soda can, bamboo picks and leaves, aluminum foil, paper, mixed plastic, acrylic paint 5 x 3 x 3 inches JOE SPEIER Untitled (Self Care Machine), 2020 Flatware, mirrors, ballpoint pen, acrylic medium, glitter, wax, metal beads, found drawing on canvas 48 x 36 inches JOE SPEIER Untitled (Self Care Machine), 2020 (Detail) Flatware, mirrors, ballpoint pen, acrylic medium, glitter, wax, metal beads, found drawing on canvas 48 x 36 inches AMY STOBER Notes and Paisley Heirlooms, 2019 Acrylic and cast polyurethane 8 x 14 x 6 inches PEGGY CHIANG No.5, 2018 Soda can, wood putty, packaged food labels, plastic hang tag fasteners, paper bag, tongue depressor, acrylic paint 4.5 x 2.5 x 2.5 inches MARISA TAKAL My Grandfather was an artist he focused on the Importance of Negative Space in his work We Never met but Growing up I was Obsessed with his Work and his Commitment to being an Artist when my Dad was a kid my Grandfather told him he chose art over his children now as an adult I think my Grandfather was a narcissist and a misogynist, we called him “Papa” pronounced “puh-pah”, 2019 Oil on canvas 48 x 36 inches AMY STOBER Gear Bag, 2019 Acrylic, cast polyurethane and denim 8 x 14 x 6 inches MARISA TAKAL Dick is Over, it's a Baby, 2017-2020 Acrylic, paper, packing tape, marker, colored pencil, pen, on coffee grinder box 13.5 x 4.25 x 4 inches MARISA TAKAL Dick is Over, it's a Baby, 2017-2020 Acrylic, paper, packing tape, marker, colored pencil, pen, on coffee grinder box 13.5 x 4.25 x 4 inches 
Book of Flowers - Ryan Syrell — Book of Flowers RYAN SYRELL JUNE 8 – AUGUST 17, 2019 Press Release Bmore Art Intertia Interview Arranging, 2019, Oil on canvas, 20 x 16” Ninth Wave, 2019, Oil on canvas, 96 x 84” Ninth Wave (detail), 2019, Oil on canvas, 96 x 84” Ninth Wave (detail), 2019, Oil on canvas, 96 x 84” Monitor (Sunset), 2019, Oil on canvas, 40 x 34” Monitor (Sunset) (detail), 2019, Oil on canvas, 40 x 34” Monitor (Sunset) (detail), 2019, Oil on canvas, 40 x 34” Book of Flowers, Installation View Vagabond, 2018, Oil on canvas, 62 x 52” Vagabond (detail), 2018, Oil on canvas, 62 x 52” Vagabond (detail), 2018, Oil on canvas, 62 x 52” Vagabond (detail), 2018, Oil on canvas, 62 x 52” Moonlit Chair, 2019, Oil on canvas, 40 x 36” Moonlit Chair (detail), 2019, Oil on canvas, 40 x 36” Socks, Eyes, & Mouths, 2018, Oil on canvas, 18 x 14” Tulip, 2019, Oil on canvas, 20 x 16” Tulip (detail), 2019, Oil on canvas, 20 x 16” Tulip (detail), 2019, Oil on canvas, 20 x 16” Plate, 2019, Oil on canvas, 18 x 14” Plate (detail), 2019, Oil on canvas, 18 x 14” Plate (detail), 2019, Oil on canvas, 18 x 14” Table and Gloves, 2019, Oil on canvas, 40 x 34” Flower Guide, 2019, Oil on canvas, 40 x 34” Flower Guide (detail), 2019, Oil on canvas, 40 x 34” Flower Guide (detail), 2019, Oil on canvas, 40 x 34” Cleo’s Tarot, 2019, Oil on canvas, 40 x 34” 
CoHosts - Jon Rafman — COMING SOON 
CONDO Mexico City — Press Release Bmore Art Pain Is The Minimum ALEX ITO | DAVID J. ARMACOST FLANNERY SILVA | SYDNEY SHEN CONDO | MEXICO CITY - Hosted by Breve APRIL 14 – MAY 12, 2018 DAVID J. ARMACOST Untitled, 2017, oil on linen mounted to wood DAVID J. ARMACOST Untitled, 2017, oil on linen mounted to wood ALEX ITO Seed of End, 2018, Chromed resin, HDU foam, oxidized iron powder FLANNERY SILVA Poser Tube Doll A, 2018, Offset print on corrugated cardboard (edition of 2) SYDNEY SHEN Thirst is the Mother of Corvid Ingenuity (Perry Index of Aesopica #390), 2016, Punitive boot, rocks engraved with names of rocks on Mars, erector set, clock movements, ribbon, water, bucket DAVID J. ARMACOST Untitled, 2018, oil on linen collage (left) DAVID J. ARMACOST Untitled, 2017, oil on linen (right) ALEX ITO Possession (passive aggressor), 2018, Chromed resin, HDU foam, oxidized iron, archival inkjet print, mat board and wood frame FLANNERY SILVA Poser Tube Doll B, 2018, Offset print on corrugated cardboard (edition of 2) SYDNEY SHEN Mein Lieber Drei-Hund, 2018, Pewter FLANNERY SILVA Poser Tube Doll B, 2018, Offset print on corrugated cardboard (edition of 2) 
CONDO Shanghai — CONDO Press Release Gallery Map CONDO - Shanghai JULY 13 – AUGUST 30, 2019 We are delighted to share our participation in Condo Shanghai 2019. The 2019 edition featured 21 galleries working together for a collaborative exhibition across 7 Shanghai galleries. These galleries hosted 14 international galleries from cities including London, Los Angeles, Tokyo, Mexico City and Guatemala City, displaying major works by their represented artists alongside those of their hosts. SPRINGSTEEN, Baltimore ALEX ITO | BENJAMIN HORNS | SYDNEY SHEN 1301PE, Los Angeles DIANA THATER | PAE WHITE | ANN VERONICA JANSSENS A+ CONTEMPORARY, Shanghai CHEN WEI | XIA TAO CHEN WEI, Arch, 2019, On-site installation, Dimensions variable (Exhibited by A+ Contemporary) CHEN WEI, The Sleeper, 2019, Single channel video, color, sound，13’16’’ (Exhibited by A+ Contemporary) CHEN WEI, Arch, 2019, On-site installation, Dimensions variable (Exhibited by A+ Contemporary) CHEN WEI, Wormwood, 2019, Pencil on Paper 55.5×40.5 cm (Exhibited by A+ Contemporary) Installation view Installation view PAE WHITE, Bugz + Drugs, Command – R, 2019, Cotton, polyester and lurex, 243.8 x 304.8 cm (Exhibited by 1301PE) PAE WHITE, Bugz + Drugs, Command – R, 2019, Cotton, polyester and lurex, 243.8 x 304.8 cm (Exhibited by 1301PE) PAE WHITE, Bugz + Drugs, Command – R, 2019, Cotton, polyester and lurex, 243.8 x 304.8 cm (Exhibited by 1301PE) PAE WHITE, Bugz + Drugs, Command – R, 2019, Cotton, polyester and lurex, 243.8 x 304.8 cm (Exhibited by 1301PE) Installation View SUPERFLEX, ALL DATA TO THE PEOPLE (Chinese version), 2019, Acrylic paint, Dimensions variable (Exhibited by 1301PE) BENJAMIN HORNS, Driver(s) 1-5, 2019, Oil on canvas, 40.6 x 50.8 cm (Exhibited by Springsteen) BENJAMIN HORNS, Driver(s) 1-5, 2019, Oil on canvas, 40.6 x 50.8 cm (Exhibited by Springsteen) BENJAMIN HORNS, Driver 1, 2019, Oil on canvas, 40.6 x 50.8 cm (Exhibited by Springsteen) BENJAMIN HORNS, Driver 2, 2019, Oil on canvas, 40.6 x 50.8 cm (Exhibited by Springsteen) BENJAMIN HORNS, Driver 3, 2019, Oil on canvas, 40.6 x 50.8 cm (Exhibited by Springsteen) BENJAMIN HORNS, Driver 4, 2019, Oil on canvas, 40.6 x 50.8 cm (Exhibited by Springsteen) BENJAMIN HORNS, Driver 5, 2019, Oil on canvas, 40.6 x 50.8 cm (Exhibited by Springsteen) Installation View Installation View ANN VERONICA JANSSENS, Scrub Berlin 2, 2002, Single Channel Projection, 5’30″ (Exhibited by 1301PE) ANN VERONICA JANSSENS, Scrub Berlin 2, 2002, Single Channel Projection, 5’30″ (Exhibited by 1301PE) ANN VERONICA JANSSENS, Scrub Berlin 2, 2002, Single Channel Projection, 5’30″ (Exhibited by 1301PE) ANN VERONICA JANSSENS, Scrub Berlin 2, 2002, Single Channel Projection, 5’30″ (Exhibited by 1301PE) ANN VERONICA JANSSENS, Scrub Berlin 2, 2002, Single Channel Projection, 5’30″ (Exhibited by 1301PE) ALEX ITO, Man Models Man, 2016, Oil on canvas with aluminum frame, 127.3 x 76.5 cm (Exhibited by Springsteen) ALEX ITO, Man Models Man, 2016, Oil on canvas with aluminum frame, 127.3 x 76.5 cm (Exhibited by Springsteen) ALEX ITO, Man Models Man, 2016, Oil on canvas with aluminum frame, 127.3 x 76.5 cm (Exhibited by Springsteen) Installation View (Right) ALEX ITO, Colony III (Iron through the Mantlepiece), (Left) ALEX ITO, Colony IV (The Mirror is an Eye), 2019, Chromed resin, high density foam, oxidized aluminum, wood, 11.43 x 17.78 x 17.78 cm (Exhibited by Springsteen) XIA TAO, Housing Estate (series), 2019, Oriented strand board, plywood, wood, stainless screws, 27×24×58 cm (Exhibited by A+ Contemporary) Installation View (Right) ALEX ITO, Colony III (Iron through the Mantlepiece), (Left) ALEX ITO, Colony IV (The Mirror is an Eye), 2019, Chromed resin, high density foam, oxidized aluminum, wood, 11.43 x 17.78 x 17.78 cm (Exhibited by Springsteen) (Right) ALEX ITO, Colony III (Iron through the Mantlepiece), (Left) ALEX ITO, Colony IV (The Mirror is an Eye), 2019, Chromed resin, high density foam, oxidized aluminum, wood, 11.43 x 17.78 x 17.78 cm (Exhibited by Springsteen) SYDNEY SHEN, Life is a Life Sentence, 2019, Wood, brass, 33 x 30.5 x 61 cm (Exhibited by Springsteen) SYDNEY SHEN, Life is a Life Sentence, 2019, Wood, brass, 33 x 30.5 x 61 cm (Exhibited by Springsteen) SYDNEY SHEN, Life is a Life Sentence, 2019, Wood, brass, 33 x 30.5 x 61 cm (Exhibited by Springsteen) SYDNEY SHEN, Life is a Life Sentence, 2019, Wood, brass, 33 x 30.5 x 61 cm (Exhibited by Springsteen) SYDNEY SHEN, Life is a Life Sentence, 2019, Wood, brass, 33 x 30.5 x 61 cm (Exhibited by Springsteen) SYDNEY SHEN, Life is a Life Sentence, 2019, Wood, brass, 33 x 30.5 x 61 cm (Exhibited by Springsteen) Installation view DIANA THATER, Oculus, 2001, Projector, DVD player, DVD, bathroom mirror and existing architecture, dimensions variable (Exhibited by 1301PE) DIANA THATER, Oculus, 2001, Projector, DVD player, DVD, bathroom mirror and existing architecture, dimensions variable (Exhibited by 1301PE) 
Counsel - Maren Karlson, Kira Scerbin — Press Release OFLUXO Art Viewer Counsel MAREN KARLSON | KIRA SCERBIN March 13 - April 17, 2021 MAREN KARLSON, Crawler, 2021, Colored pencil and UV varnish on, canvas, 14⅛ x 28⅜ in. KIRA SCERBIN, Hare, 2021, Oil on canvas in artist frame, 22¾ x 13¾ x 1½ in. KIRA SCERBIN, Coming, 2021, Oil on canvas in artist frame, 21 x 16½ x 2 in. KIRA SCERBIN, Counsel, 2021, Oil on canvas in artist frame, 40½ x 32¾ x 2½ in. MAREN KARLSON, Star, 2021, Colored pencil and UV varnish on canvas, 9½ x 14⅛ in. MAREN KARLSON / KIRA SCERBIN, An angel isn't born and doesn't die, 2021, Colored pencil and UV varnish on, canvas, papier-mâché, wood, 34½ x 37¾ x 4 in. 
Dust-Off - Colin Foster / Nick Peelor / Margo Malter — Dust-Off COLIN FOSTER | MARGO BENSON MALTER MILTON MELVIN CROISSANT III | NICK PEELOR | NICK VYSSOTSKY APRIL 6 - MAY 4, 2013 
Encoach - Georgia Dickie / Keith J. Varadi — Press Release Art Viewer O Fluxo Encoach GEORGIA DICKIE | KEITH J. VARADI SEPTEMBER 10 - OCTOBER 8, 2016 KEITH J. VARADI Declaration, 2016, Crude oil sample (Oil City, PA), pint glass, custom plinth, adhesive vinyls (left) KEITH J. VARADI Oasis, 2016, Nevada license plate, license plate holder (right) KEITH J. VARADI Oasis, 2016, Nevada license plate, license plate holder KEITH J. VARADI Declaration, 2016, Crude oil sample (Oil City, PA), pint glass, custom plinth, adhesive vinyls (detail) GEORGIA DICKIE Pisetions (binders), 2016, Plastic storage unit, metal, coral, wax, binders, rubber, various found objects GEORGIA DICKIE Pisetions (binders), 2016, Plastic storage unit, metal, coral, wax, binders, rubber, various found objects (detail) KEITH J. VARADI Installation View KEITH J. VARADI Installation View KEITH J. VARADI Menagerie, PST, 2015, Ink on cover on panel KEITH J. VARADI Self-Help Writ Wrong, 2015, Ink on cover on panel GEORGIA DICKIE Today was a rare day (Many Minutes of Fun), 2016, Metal bird cage, glass, wood perches and swing, blood, auxiliary cables, found photographs, discarded canary feathers, doorknob, glass stirring rod, resurrection plant, coffee cup, PVC coated wire, various found objects GEORGIA DICKIE Obscurcissant, 2016, Glass, wood, metal, paint KEITH J. VARADI Event Horizon, 2016, Oil and canvas GEORGIA DICKIE Pisetions 4, 2016, Plastic drawer and basin, wax, dried ginger, various found objects GEORGIA DICKIE Pisetions 4, 2016, Plastic drawer and basin, wax, dried ginger, various found objects (detail) GEORGIA DICKIE Pisetions 3, 2016, Plastic drawer and tiles, wood, steel, various found objects (top) GEORGIA DICKIE Pisetions 2, 2016, Plastic drawer, bird food pellets colour-sorted by canary, steel, various found objects (bottom) KEITH J. VARADI News, 2016, Custom door mat 
Contemporary Art Exhibitions — PREVIOUS: Holding Patterns AMY STOBER | REILLY DAVIDSON (Exhibition Text) Ripple JOHN BOHL a recollection of dreams AMINA ROSS | DANA WASHINGTON-QUEEN | CURATED BY ZION DOUGLASS Counsel MAREN KARLSON | KIRA SCERBIN Murder Time MICHELLE UCKOTTER Ozone Atmosphere MONSIEUR ZOHORE | SANDY WILLIAMS IV | TIFFANY E. BARBER (Exhibition text) The Waiter’s Lament JOE SPEIER Baltimore Museum of Art Salon PEGGY CHIANG | JOE SPEIER | AMY STOBER | MARISA TAKAL CONDO - Shanghai ALEX ITO | BEN HORNS | SYDNEY SHEN Book of Flowers RYAN SYRELL Women’s History Museum Biennale: Poupées Gonflabes WOMEN’S HISTORY MUSEUM | ADA O’HIGGINS | AJAKIA SMITH | ALMA MARÍA ARIAS | ARAN SHANMUGARATNAM | BRYN BARNETT | CANDICE SAINT WILLIAMS | DACHI COLE | DAFFY SCANLAN | FIRPAL JAWANDA | GABRIELA RIVERA-MORALES | GOGO GRAHAM | HU DIÈ | KEKE HUNT | KELLEY MCNUTT | KIP KIRKENDALL | LOREN MINDAK | MATI HAYS | MOUNTAIN POLLEN | NOEL FREIBERT | ODESSA STRAUB | SEAN-KIERRE LYONS | TYLER JONES | YVES GOLDEN Rowhouse Project BOOK RELEASE Four Thieves Vinegar SYDNEY SHEN Evening of Performance and Discussion ODWALLA1221 | SADAF | TRNSGNDR/VHS CONDO - Mexico City ALEX ITO | DAVID J. ARMACOST | FLANNERY SILVA | SYDNEY SHEN New Social Portraits BENJAMIN HORNS Act II: Carcass and the White Light ALEX ITO Encoach GEORGIA DICKIE | KEITH J. VARADI The Squinter’s Watch COLIN FOSTER Wrath Pin Face Binned | Guest curatorial project at Et al. Etc | Minnesota Street Project, San Francisco ANDREA LONGACRE-WHITE | BRENDAN FOWLER | ERIKA CERUZZI | FLANNERY SILVA | MARISA TAKAL | NATE BOYCE Laundered Fang ERIKA CERUZZI Machine in the Garden ANDREW LAUMANN | BEA FREMDERMAN Ready to Drop BODY BY BODY | BRADFORD KESSLER | ERIN JANE NELSON | ED FORNIELES (Press Release) I <3 My Emergency AMANDA HOROWITZ | NANDI LOAF Watching Things Burn, Curated by Alex Ito ALEX PERWEILER | CHLOE MARATTA | COBRA | IZABELLE NEW | JASON BENSON | SYDNEY SHEN | ZACHARY SUSSKIND Narrow Waves | Guest curatorial project at Interstate Projects, New York BRADFORD KESSLER | COLIN ALEXANDER | COLIN FOSTER | DAVID J. ARMACOST | MARISA TAKAL | QUINTESSA MATRANGA | REECE COX Youth Dew FLANNERY SILVA Girth Proof: VOL II DANIEL WICKERHAM | MALCOLM LOMAX Jardin N°19 ALEX ITO | ERIKA CERUZZI jimmi~research PROJECT BY: HARRISON TYLER | EVAN ROCHE | LUCAS HAROLDSEN Base Period ALAN RESNICK | LESSER GONZALEZ CoHosts Lecture Series Hosted by The Contemporary Baltimore JON RAFMAN SPF STEPHEN RIDDLE | VAL KARUSKEVICH Surface Treatment SETH ADELSBERGER Minku Are You Here? SOFIA LEIBY | BENJAMIN HORNS | BUNNY ROGERS Not Yet In Ruin JAMES BOUCHÉ Presenter Mode MILTON MELVIN CROISSANT III Metaspace JUSTIN KELLY | MICHAEL KOLINER | MICHAEL BUSSELL | JOHN BOHL | HERMONIE ONLY Dust-off NICK PEELOR | NICK VYSSOTSKY | MARGO BENSON MALTER | COLIN FOSTER | MILTON MELVIN CROISSANT III 
FAIR | NADA — Bmore Art FAIR SYDNEY SHEN | RYAN SYRELL | KEITH J. VARADI thisisfair.org MAY 20 - JUNE 21, 2020 The New Art Dealers Alliance (NADA) is pleased to announce FAIR, built in partnership with Artlogic. FAIR is a new art fair initiative designed to be entirely online, function cooperatively, and act as a benefit for NADA’s community of galleries, nonprofits and artists. Taking place May 20–June 21, 2020, FAIR will directly support 119 NADA Gallery Members and 81 other galleries that have been financially impacted by the COVID-19 crisis, totaling nearly 200 galleries around the world. SYDNEY SHEN Vox Aranea (Here Rests Syd), 2018 Medicine cabinet, magazine and newspaper clippings, electric organ hardware, belt from punitive garment, buttons, Brachypelma emilia specimen (deceased pet of artist) 20 x 15 x 6 in SYDNEY SHEN Vox Aranea (Here Rests Syd), 2018 Medicine cabinet, magazine and newspaper clippings, electric organ hardware, belt from punitive garment, buttons, Brachypelma emilia specimen (deceased pet of artist) 20 x 15 x 6 in KEITH J. VARADI Baltimore Suite No. 2, 2015 Ink on cover on panel 40 x 7 inches (installed), (each object 5 x 7 inches) KEITH J. VARADI Baltimore Suite No. 2, 2015 Ink on cover on panel 40 x 7 inches (installed), (each object 5 x 7 inches) KEITH J. VARADI Baltimore Suite No. 2, 2015 Ink on cover on panel 40 x 7 inches (installed), (each object 5 x 7 inches) KEITH J. VARADI Baltimore Suite No. 2, 2015 Ink on cover on panel 40 x 7 inches (installed), (each object 5 x 7 inches) RYAN SYRELL Vagabond, 2018 Oil on canvas 62 x 52 inches SYDNEY SHEN Co-Morbidity, 2017 C-print, handmade paper (hornet nest, Tremella fuciformis, Nostoc flagelliforme, bean curd, vermin remains harvested from owl pellets, cellulose), artist’s frame 10.5 x 10.5 inches SYDNEY SHEN Co-Morbidity, 2017 C-print, handmade paper (hornet nest, Tremella fuciformis, Nostoc flagelliforme, bean curd, vermin remains harvested from owl pellets, cellulose), artist’s frame 10.5 x 10.5 inches SYDNEY SHEN Co-Morbidity, 2017 C-print, handmade paper (hornet nest, Tremella fuciformis, Nostoc flagelliforme, bean curd, vermin remains harvested from owl pellets, cellulose), artist’s frame 10.5 x 10.5 inches 
Art Fairs — FAIR presented by NADA | 2020 SYDNEY SHEN | RYAN SYRELL | KEITH J. VARADI MATERIAL - Mexico City | 2017 SOFIA LEIBY | WICKERHAM & LOMAX NADA - Miami Beach | 2016 ALEX ITO MATERIAL - Mexico City | 2016 COLIN FOSTER | ERIKA CERUZZI NADA - New York | 2015 ALEX ITO | ANDREW LAUMANN | ERIKA CERUZZI NADA - New York | 2014 ALEX EBSTEIN | BENJAMIN HORNS | SETH ADELSBERGER | SOFIA LEIBY 
Four Thieves Vinegar - Sydney Shen — Press Release Flash Art AQNB Four Thieves Vinegar SYDNEY SHEN OCTOBER 21 - NOVEMBER 25, 2017 Untitled, 2017, Manhole hooks, solid perfume (beeswax, clove oil, rosemary oil) (left) Untitled, 2017, Chairs, cloves (right) Planets, 2017, Oranges, mandarins, cloves (left, scattered) Urinal / Urine Sample Reed Diffuser Set, 2017, Glass urinal, white vinegar, black peppercorn, eucalyptus, lavender, star anise, rosemary oil, wormwood oil, garlic oil, clove oil (right) Timor Mortis Conturbat Me, 2017, Customized wooden manhole cover fabricated by Dean Caminiti Untitled, 2017, Manhole hooks, solid perfume (beeswax, clove oil, rosemary oil) Untitled, 2017, Chairs, cloves Bouquet, 2017, Lavender, ribbon, garlic, baby’s breath Bouquet, 2017, Lavender, ribbon, garlic, baby’s breath Muzzle, 2017, Goat muzzle, lavender, ribbon Piled Up Corpses and a Whip (or Perseus and Cassiopeia, or Star Chart), 2017, Mandarin peel, star anise, cicada Peccantum me quotidie (Everyday I Sin), 2017, 3d-printed plastic flyswatter I Want My Scream to Count, 2017, 3d-printed plastic flyswatter Urinal / Urine Sample Reed Diffuser Set, 2017, Urine sample glass, olive oil, garlic oil, clove oil, lavender Urinal / Urine Sample Reed Diffuser Set, 2017, Urine sample glass, olive oil, garlic oil, clove oil, lavender Four Thieves, 2017, Glass in the shape of donkeys pulling carts, candles (beeswax, coconut oil, rosemary oil, wormwood oil, clove oil, garlic oil) 
Girth Proof Vol II - Wickerham & Lomax — COMING SOON 
Holding Patterns - Amy Stober — Press Release Holding Pattern AMY STOBER | REILLY DAVIDSON (Exhibition text) July 3 - August 7, 2021 Amy Stober, Tutti (1/2” Heel), 2021, cast polyurethane, acrylic, 15 x 11 x 1 inch Amy Stober, Organizers, 2021, cast polyurethane, acrylic, 12 x 12 x 9 inches Amy Stober, Blue, Blue, Blue, Blue, 2021, cast polyurethane, acrylic, 12 x 12 x 9 inches Amy Stober, Serendipity (Books), 2021, cast polyurethane, acrylic, 12 x 12 x 9 inches Amy Stober, New Jersey, 2021, cast polyurethane, glitter, acrylic, 14 x 15 x 8 inches Amy Stober, Laying Out Thursday, 2021, cast polyurethane, synthetic fur, acrylic, 22 x 16 x 6 inches Amy Stober, The Day I Thought I Got Botulism (Spirographed), 2021, cast polyurethane, acrylic, 22 x 16 x 6 inches Amy Stober, Serendipity (Smashing Pumpkins), 2021, cast polyurethane, acrylic, 14 x 15 x 8 inches Amy Stober, Tutti (Orchid and Basket), 2021, cast polyurethane, acrylic, 14 x 15 x 8 inches Amy Stober, Mycelium Connection (Inside / Outside), 2021, cast polyurethane, pearlescent pigment, acrylic, 14 x 15 x 8 inches Amy Stober, Begonia (BMG Synthesizer), 2021, cast polyurethane, acrylic, 15 x 12 x 8.8 inches Amy Stober, Veiling and Shelving, 2021, cast polyurethane, acrylic, 14 x 15 x 8 inches Amy Stober, Orchid (BMG Synthesizer), 2021, cast polyurethane, pearlescent pigment, acrylic, 17.5 x 11 x 9.5 inches Amy Stober, Music Station (BMG Pipes), 2021, cast polyurethane, acrylic, 15 x 12 x 8.5 inches 
I <3 My Emergency - Nandi Loaf / Amanda Horowitz — Press Release I <3 My Emergency AMANDA HOROWITZ | NANDI LOAF OCTOBER 17 - NOVEMBER 21, 2015 
About the Gallery — MONSIEUR ZOHORE | SANDY WILLIAMS IV | Ozone Atmosphere Springsteen was founded (2013) by Hunter Bradley and Amelia Szpiech in Baltimore, MD and is a member of The New Art Dealers Alliance (NADA). The gallery is dedicated to working with artists engaged in critical discourse across various media. HUNTER BRADLEY | Founding Co-director AMELIA SZPIECH | Founding Co-director Available work on Artspace We review most proposals, due to volume we cannot reply to all correspondence. 
Jardin - Alex Ito / Erika Ceruzzi — Press Release Jardin N°19 ALEX ITO | ERIKA CERUZZI October 24 – November 28, 2014 
jimmi~research — COMING SOON 
Laundered Fang - Erika Ceruzzi — Press Release AQNB Purple Art Viewer Laundered Fang ERIKA CERUZZI MAY 14 - JUNE 11, 2016 Laundered Fang (Gallery Main Room), 2016, Aluminum rail, hydraulic pressure, 6 AWG cable, T-8 Matrix(TM) guards Laundered Fang (Tank Top), 2016, Cotton, rayon embroidery thread, aluminum, hydraulic pressure Laundered Fang (Window Ledge), 2016, Inkjet print on polyester voile bags, plastic bags, cement, (edition of 3) Laundered Fang (Window Ledge), 2016, Inkjet print on polyester voile bags, plastic bags, cement, (edition of 3) Laundered Fang (Entry Right), 2016, Aluminum rail, hydraulic pressure, inkjet printed Tyvek wrist bands, cardboard box Laundered Fang (Entry Right), 2016, Aluminum rail, hydraulic pressure, inkjet printed Tyvek wrist bands, cardboard box Laundered Fang (Gallery Main Room), 2016, Aluminum rail, hydraulic pressure, 6 AWG cable, T-8 Matrix(TM) guards Laundered Fang (Gallery Main Room), 2016, Aluminum rail, hydraulic pressure, 6 AWG cable, T-8 Matrix(TM) guards Laundered Fang (Exit), 2016, Plexiglass, cable ramp replicate in concrete (2), aluminum rail, hydraulic pressure, parking garage Laundered Fang (Exit), 2016, Plexiglass, cable ramp replicate in concrete (2), aluminum rail, hydraulic pressure, parking garage Laundered Fang (Exit), 2016, Plexiglass, cable ramp replicate in concrete (2), aluminum rail, hydraulic pressure, parking garage 
Machine in the Garden - Bea Fremderman / Andrew Laumann — Press Release Art Viewer We Find Wildness Machine in the Garden ANDREW LAUMANN | BEA FREMDERMAN MARCH 26 - APRIL 23, 2016 BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 ANDREW LAUMANN Untitled (Blind Mind), 2016, Acrylic paint, methylcellulose, paper, on panel in acrylic frame ANDREW LAUMANN Untitled (Blind Mind), 2016, Acrylic paint, methylcellulose, paper, on panel in acrylic frame BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 ANDREW LAUMANN Untitled (Ambient Works II), 2015, Acrylic paint, methylcellulose, paper, on panel in acrylic frame ANDREW LAUMANN Untitled (Ambient Works II), 2015, Acrylic paint, methylcellulose, paper, on panel in acrylic frame BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 ANDREW LAUMANN Untitled (Morpho), 2016, Acrylic paint, methylcellulose, paper, on panel in acrylic frame BEA FREMDERMAN Untitled, 2016 ANDREW LAUMANN Untitled (Ambient Works), 2015, Acrylic paint, methylcellulose, paper, on panel in acrylic frame BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 ANDREW LAUMANN Untitled (Joker), 2016, Acrylic paint, methylcellulose, paper, on panel in acrylic frame BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 BEA FREMDERMAN Untitled, 2016 
MATERIAL Mexico City 2016 — Artspace Artspace Artspace AQNB Material - Mexico City | 2016 COLIN FOSTER | ERIKA CERUZZI FEBRUARY 4 - 6, 2016 COLIN FOSTER Serene Choco Bath Scene, 2016 ERIKA CERUZZI ?d alias, 2016 (top) ERIKA CERUZZI Secret freaky split, 2016 (bottom) COLIN FOSTER 36, 35, 33, 2015 COLIN FOSTER Shaker Something. Submittal Snicker, 2016 COLIN FOSTER Selling Shoes at the Beach, 2015 
Metaspace - John Bohl / Michael Bussell / Hermoine Only — COMING SOON 
Minku are you Here? - Bunny Rogers / Benjamin Horns / Sofia Leiby — COMING SOON 
Murder Time - Michelle Uckotter — Press Release Art Viewer OFLUXO Murder Time MICHELLE UCKOTTER March 13 - April 17, 2021 MICHELLE UCKOTTER, Girl and Balusters, 2021, Oil pastel on canvas, 24 x 18 in. MICHELLE UCKOTTER, Detail of Girl and Balusters, 2021, Oil pastel on canvas, 24 x 18 in. MICHELLE UCKOTTER, Girl Aiming a Gun and Holding Purses, 2021, Oil pastel on panel, 18 x 24 in. MICHELLE UCKOTTER, Girl Aiming a Gun and Holding Purses, 2021, Oil pastel on panel, 18 x 24 in. MICHELLE UCKOTTER, Untitled, 2021, Mixed media, 35 x 2 in. MICHELLE UCKOTTER, Eye Test, 2021, Mixed media, 12 x 17 in. MICHELLE UCKOTTER, Open Door 1, 2021, Oil pastel on panel, 24 x 30 in. MICHELLE UCKOTTER, Girl Playing in Attic, 2021, Oil pastel on panel, 24 x 36 in. MICHELLE UCKOTTER, Open Door 2, 2021, Oil pastel on panel, 20 x 24 in. 
NADA Miami Beach 2016 — Artspace NADA - Miami Beach | 2016 ALEX ITO DECEMBER 1 - 4, 2016 This Will Pass, 2016, UV curable ink on aluminum panel (left) I/You Left Behind, 2016, UV curable ink on aluminum panel (right) LA Feeding Whisper, 2016, Custom blown glass and aluminum (left) Lost Sincerity, 2016, UV curable ink on aluminum panel (center) You Are Here, 2016, UV curable ink on aluminum panel (right) 
NADA New York 2014 — Art in America The New York Times NADA - New York | 2014 ALEX EBSTEIN | BENJAMIN HORNS SETH ADELSBERGER | SOFIA LEIBY MAY 9 - 11, 2014 
NADA New York 2015 — NADA - New York | 2015 ALEX ITO | ANDREW LAUMANN | ERIKA CERUZZI MAY 14 - 17, 2015 
Narrow Waves - Interstate Projects — Press Release Narrow Waves | Guest curatorial project at Interstate Projects, New York BRADFORD KESSLER | COLIN ALEXANDER | COLIN FOSTER DAVID J. ARMACOST | MARISA TAKAL | QUINTESSA MATRANGA | REECE COX JULY 17 - AUGUST 2, 2015 
MATERIAL Mexico City 2017 — Art Viewer Artspace Harper’s Bazaar MX, Print Material - Mexico City | 2017 SOFIA LEIBY | WICKERHAM & LOMAX FEBRUARY 9 - 12, 2017 WICKERHAM & LOMAX The Ginevra, 2017, Laser print on cast acrylic, nylon webbing, fur, powder coated hardware (left) WICKERHAM & LOMAX The Deana, 2017, Laser print on cast acrylic, nylon webbing, fur, powder coated hardware (right) SOFIA LEIBY Pisanka (Пісанка), 2017, Acrylic on linen SOFIA LEIBY Charette, 2017, Acrylic and ink on linen 
New Social Portraits - Benjamin Horns — Press Release Art Viewer Some New Social Portraits BENJAMIN HORNS MARCH 18 - MAY 20, 2017 Hold The Door, 2017, oil on canvas, 60 x 34 in The Winds of Winter, 2017, oil on canvas, 72 x 48 in The Winds of Winter, 2017, oil on canvas, 72 x 48 in The Winds of Winter, 2017, oil on canvas, 72 x 48 in Glass Block in Front of an Air Conditioner, 2017, Oil on canvas, 16.5 x 23.5 in eps1.8_m1rr0r1ng.qt, 2017, Oil on canvas, 36 x 24 in 
Not Yet In Ruin - James Bouche — Not Yet In Ruin JAMES BOUCHÉ AUGUST 9 - SEPTEMBER 6, 2013 
ODWALLA1221 | TRNSGNDR/VHS | SADAF — Night of performance and discussion OWALLA1221 | SADAF | TRNSGNDR/VHS Poster by NOEL FREIBERT SEPTEMBER 9, 2017 
Ozone Atmosphere - Monsieur Zohore | Sandy Williams IV — Ozone Atmosphere MONSIEUR ZOHORE | SANDY WILLIAMS IV Text by TIFFANY E. BARBER January 23 – February 27, 2021 Press Release Art Viewer Ofluxo Sandy Williams IV, Wax Monument II (Large Lincoln), 9” x 9” x 9”, Wax, wicks Monsieur Zohore, Primitivism, Bird of paradise, Windex Sandy Williams IV, I Get It From My Mama, 2018, 13.25” x 11.5” digital prints in custom frames Monsieur Zohore, We See You, 2020 – 2021, 72” x 48”, Jade 711, bleach, fabric dye, ink jet , paper towel, on canvas Sandy Williams IV, Unattended Baggage (Time Capsule) II, 2018, [with Jack Doerner], 15.5” x 19” x 5.75”, Suitcase, timer, accelerometer, electronics Monsieur Zohore, Primitivism, Plastic bird of paradise, windex bottle, resin Sandy Williams IV, Wax Monuments #05, 2021, 10” x 23” x 14”, Wax, wicks, silver platter Monsieur Zohore, Now And At The Hour of Our Death, 2020 – 2021, 108“ x 72”, Jade 711, bleach, fabric dye, ink jet, paper towel, on canvas Monsieur Zohore, I Don’t Do Windows, 2020 – 2021, 72” x 48”, Jade 711, bleach, fabric dye, ink jet, paper towel, on canvas Sandy Williams IV, Unattended Baggage (Time Capsule) V, 2020, [with Jack Doerner], 18” x 12” x 6”, Backpack, timer, accelerometer, electronics and USB battery packs Sandy Williams IV, Unattended Baggage (Time Capsule) I, 2017 [with Jack Doerner], 13.5” x 21” x 6.5”, Suitcase, timer, accelerometer, electronics Sandy Williams IV, Unattended Baggage (Time Capsule) VI, 2020 [with Jack Doerner], 20” x 14.5” x 10”, Backpack, timer, accelerometer, electronics and USB battery packs Monsieur Zohore, Éternel (For Lyirc), 2019-2021, Resin, sod, led lights Sandy Williams IV, 8GB, 2017, runtime: 00:43:07, HD video, color, sound Sandy Williams IV, Unattended Baggage (Time Capsule) IV, 2018 [with Jack Doerner], 18” x 12” x 6”, Backpack, timer, accelerometer, electronics and USB battery packs Monsieur Zohore, Somewhere January 8, 2021, 2020, 8” x 3.5” x 2.25”, Telescope, engraved wood base 
Presenter Mode - Milton Melvin Croissant III — COMING SOON 
Press — Amina Ross and dana washington-queen at Springsteen ART VIEWER a recollection of dreams at Springsteen OFLUXO Maren Karlson and Kira Scerbin at Springsteen ART VIEWER Murder Time with Michelle Uckotter OFLUXO Counsel with Maren Karlson and Kira Scerbin OFLUXO Michelle Uckotter at Springsteen ART VIEWER Sandy Williams IV and Monsieur Zohore at Springsteen ART VIEWER Ozone Atmosphere OFLUXO How Online Art Fairs Help Galleries Like Springsteen Support Artists During Covid-19 BMORE ART Exhibition Visit - Ryan SyrelI INTERTIA STUDIO VISITS Sensory Reality: Ryan Syrell’s Book of Flowers at Springsteen BMORE ART Women’s History Museum Biennale: Poupées Goflabes ART VIEWER Inflatable Dolls: Women’s History Museum at Springsteen Gallery BURNAWAY Women’s History Museum at Springsteen Emphasizes Collaboration BMORE ART Condo: An International Space-Sharing Program for Galleries BMORE ART “An Existence as Insignificant as a Common Housefly”: A Brief Conversation between Keith J. Varadi and Sydney Shen FLASH ART Staying Alive: Sydney Shen examines physical, psychological, + cultural infection AQNB 11 Young Art Dealers Who are Revitalizing Their Art Scenes ARTNET NEWS Some new social portraits ARTVIEWER 10 Best Artworks from Mexico City’s Material Art Fair 2017 ARTSPACE Special Coverage of Material Art Fair 2017 ART VIEWER Sofia Leiby and Co-Director Amelia Szpiech featured (print edition) HARPER’S BAZAAR MX 10 Most Outstanding Sculptures at NADA Miami Beach ARTSPACE Alex Ito, Act II: Carcass and The White Light MOUSSE Alex Ito at Springsteen ARTVIEWER Emma Hazen in Conversation with Alex Ito O FLUXO Encoach ARTVIEWER Encoach O FLUXO The Squinter’s Watch POST-OFFICE ARTS JOURNAL The Squinter’s Watch ART VIEWER Wrath Pin Face Binned CONTEMPORARY ART DAILY Wrath Pin Face Binned ART VIEWER Laundered Fang AQNB Laundered Fang ART VIEWER Laundered Fang PURPLE Ready to Drop (May 2016, print) MODERN PAINTERS Machine in the Garden ARTVIEWER Machine in the Garden WE FIND WILDNESS Meet the Dealers ARTSPACE Material Art Fair Reviewed AQNB Poetry Group’s Oa4s Picks Material Art Fair 2016 ARTSPACE Curator and Publisher Dorothée Dupuis’s Picks Material Art Fair 2016 ARTSPACE Ready to Drop OFLUXO Ready to Drop SEX MAGAZINE Garden of Delete CITY PAPER Flannery Silva: Youth Dew ARTNEWS Youth Dew at Springsteen POST-OFFICE ARTS JOURNAL Wickerham/Lomax at Springsteen TEMPORARY ART REVIEW Profile: Springsteen TEMPORARY ART REVIEW Jardin No. 19 CITY PAPER Extrapolating Ethos: an interview with Springsteen BMORE ART This Modern World CITY PAPER Relics, Reflections, and Realities: Base Period BMORE ART The Baltimore Highlights DALLAS ART DEALERS ASSOCIATION Trailing Simon Castets through NADA New York ART IN AMERICA Gathering of Far-Flung Friends, and Trends NEW YORK TIMES Ten Best Reasons to be an Artist in Baltimore in 2013 BMORE ART Game Changers: Bmoreart’s Top Ten Art Exhibits of 2013 BMORE ART Deana Haggag’s 10 Favorite Visual Art Exhibitions of 2013 THE BALTIMORE SUN 2013 Top Ten Art Shows CITY PAPER Surface Treatment: An Interview with Seth Adelsberger by Cara Ober BMORE ART 2013 Best New Gallery CITY PAPER Provocative Forms: James Bouché’s Not Yet In Ruin at Springsteen Gallery by Cara Ober BMORE ART 
Ready to Drop - Erin Jane Nelson, Body by Body, Bradford Kessler — Ready to Drop BODY BY BODY | BRADFORD KESSLER ERIN JANE NELSON | Press Release by ED FORNIELES JANUARY 30 - MARCH 12, 2016 Press Release Modern Painters (May 2016, print) 
Ripple - John Bohl — Press Release Ripple JOHN BOHL July 3 - August 7, 2021 John Bohl, Wall, 2021, acrylic on canvas, 28 x 22 inches John Bohl, Flames, 2020, acrylic and gouache on canvas, 28 x 22 inches John Bohl, Picnic, 2020, acrylic and gouache on canvas, 28 x 22 inches John Bohl, Rocks, 2021, acrylic and gouache on canvas, 28 x 22 inches John Bohl, Chair, 2019, acrylic on canvas, 28 x 22 inches John Bohl, Flowers, 2020, acrylic and gouache on canvas, 40 x 32 inches John Bohl, Apple, 2021, acrylic on canvas, 22 x 28 inches John Bohl, Stems, 2021, acrylic on canvas, 28 x 22 inches John Bohl, Worm, 2021, acrylic on canvas, 28 x 22 inches 
Rowhouse Project Book Release — Rowhouse Project Edited by Lucie Fontaine 428 pages, softcover 5.875 x 8.25 inches, 14.9 x 21 cm Edition of 1,000 (ISBN 978-1-940881-26-3) Published by Hassla ROWHOUSE PROJECT BOOK RELEASE SEPTEMBER 29, 2018 An evening for the Rowhouse Project book release. Please join us for a discussion with participating artists moderated by Resort. Rowhouse Project took place between Summer 2014–Spring 2016 in a Baltimore rowhouse and presented exhibitions by Justin Lieberman, Josh Tonsfeldt, Trevor Shimizu, Zak Kitnick, Cynthia Daignault, Ajay Kurian, Van Hanos, and Sam Anderson. This new publication brings together all eight exhibitions into one book. The initial release was hosted Karma Bookstore on September 5th, followed by a talk at the New York Art Book Fair at MoMA PS1 on September 22nd, 2018 What makes a house? Are four walls enough? Is a roof enough? Are the neighbors enough? Can it exist without running water? Or without heating? What makes a home? Is it someone living inside? Is it the traces that were left? Is it the furniture that allows you to store clothes in it? Or a couch, that makes it comfortable? Is it someone cooking in it that makes it smell alive? Is it the intimacy? Is it the music that fills the space? What is a show? Is it a white cube that makes it? Is it an immaculate wall that makes it? Is it a polished floor? Is it a space that always stays the same? Rowhouse project was everything and nothing of the above. -Lucie Fontaine 
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SPF - Val Karuskevich / Steven Riddle — COMING SOON 
Squinters Watch - Colin Foster — Press Release Post Office Arts Journal Art Viewer The Squinter’s Watch COLIN FOSTER JULY 9 - AUGUST 6, 2016 The Self-Aware Slug, 2016, Custom softwear, Linux computer, vinyl Young Plastec Son, 2016, UHMW, ABS, PP, PVC, silicone, custom electronics, submersible pump (left) Temporal Pressure, 2016, Land Rover Discovery instrument panel, custom electronics (right) Young Plastec Son, 2016, UHMW, ABS, PP, PVC, silicone, custom electronics, submersible pump (detail) Temporal Pressure, 2016, Land Rover Discovery instrument panel, custom electronics Another Salad, 2015, Corrugated plastic, ABS, tape, acrylic, PVA, hardware A Display of Horse, 2016, pine, acrylic, UHMW, SBR, hardware (center) Inbetween Wet Drops.. Retired, 2016, Found hiking boots, hardware (left) A Display of Horse, 2016, pine, acrylic, UHMW, SBR, hardware (detail) Inbetween Wet Drops.. Retired, 2016, Found hiking boots, hardware The Problem With Busses, 2016, Aluminum, maple, urethane foam, steel, silver, hardware (left) Again, John considered two days, 2016, MDF, poplar, oak, PVA, acrylic, fiberglass, epoxy, UHMW, aquaresin, banana, steel, silver, hardware Again, John considered two days, 2016, MDF, poplar, oak, PVA, acrylic, fiberglass, epoxy, UHMW, aquaresin, banana, steel, silver, hardware (detail) Eveninging, (in collaboration w/ Colin Van Winkle), 2016, Fiberglass, epoxy, enamel, custom electronics, hardware (top) Again, John considered two days, 2016, MDF, poplar, oak, PVA, acrylic, fiberglass, epoxy, UHMW, aquaresin, banana, steel, silver, hardware (bottom) Eveninging, (in collaboration w/ Colin Van Winkle), 2016, Fiberglass, epoxy, enamel, custom electronics, hardware Eveninging, (in collaboration w/ Colin Van Winkle), 2016, Fiberglass, epoxy, enamel, custom electronics, hardware (detail) 
Surface Treatment - Seth Adelsberger — COMING SOON 
The Waiter's Lament - Joe Speier — The Waiter’s Lament JOE SPEIER DECEMBER 5, 2020 – JANUARY 9, 2021 Press Release Server 1, 2020, Mirrors, ballpoint pen, acrylic medium, glitter, found drawing on canvas, 72 x 48” Untitled (Self Care Machine 1), 2020, Flatware, mirrors, ballpoint pen, acrylic medium, glitter, wax, metal beads, found drawing, and flocking on canvas, 48 x 36” Untitled (Self Care Machine 11), 2020, Flatware, mirrors, wax, glitter, acrylic medium, ballpoint pen on canvas, 48 x 36” Untitled (Self Care Machine 3), 2020, Flatware, linen, found image, ballpoint pen, resin, metal, beads, and glitter on canvas, 48 x 36” Server 2, 2020, Mirrors, ballpoint pen, acrylic medium, glitter, wax, metal beads, found drawing on canvas, 72 x 48” Untitled (Self Care Machine 2), 2020, Flatware, mirrors, ballpoint pen, acrylic medium, glitter, wax, metal beads, found drawing on canvas, 48 x 36” Untitled (Self Care Machine 10), 2020, Flatware, mirrors, wax, glitter, acrylic medium, ballpoint pen on canvas, 48 x 36” Server 3, 2020, Mirrors, ballpoint pen, acrylic medium, glitter, found drawing on canvas, 72 x 48” Untitled, 2020, Found images, paper, linen, acrylic medium, ballpoint pen, and mirrors on canvas, 20 x 32” Untitled, 2020, Found image, ballpoint pen, glitter, acrylic medium, mirror and flatware on canvas, 24 x 18” 
Watching Things Burn - Group Show — 
Women’s History Museum Biennale: Poupées Gonflabes — Women’s History Museum Biennale: Poupées Gonflabes WOMEN’S HISTORY MUSEUM MARCH 2 – APRIL 26, 2019 Press Release Burnaway Artviewer Bmore Art WOMEN’S HISTORY MUSEUM SEZ X 2, 2019 - Acrylic, LED lights, vanity lights, garbage bag, makeup WOMEN’S HISTORY MUSEUM Bertine’s Lib, 2019 -Wood, Oil Paint, fox (left) WOMEN’S HISTORY MUSEUM Pix Palace, A Closed Opening (side-detail), 2019 - Wood, mirror, acrylic paint, pastels, makeup (right) WOMEN’S HISTORY MUSEUM Hospital Bib, 2018, Magazine transfers, laser cut plexi (left) WOMEN’S HISTORY MUSEUM Biba Luma Remnants Apotheosis, 2018, Bag handles, gloves, wax mold, acrylic nail, box, WHM tag, hair ad, millinery flower (right) WOMEN’S HISTORY MUSEUM Ready-to-Wear garments WOMEN’S HISTORY MUSEUM Magasin Freixenet (series of 5), 2019, Featuring photos by Tyler Jones 12 x 8 inches, Cast plaster and decals WOMEN’S HISTORY MUSEUM Dame-115, 2019, 12 x 8 inches, Boots, magazine transfers, buttons, ribbon, 19th century German cotton WOMEN’S HISTORY MUSEUM Assorted Jewelry, 2019, scarf, cast broaches, beads WOMEN’S HISTORY MUSEUM BIENNALE FEATURING: ADA O’HIGGINS | AJAKIA SMITH | ALMA MARÍA ARIAS | ARAN SHANMUGARATNAM | BRYN BARNETT | CANDICE SAINT WILLIAMS | DACHI COLE | DAFFY SCANLAN | FIRPAL JAWANDA | GABRIELA RIVERA-MORALES | GOGO GRAHAM | HU DIÈ | KEKE HUNT | KELLEY MCNUTT | KIP KIRKENDALL | LOREN MINDAK | MATI HAYS | MOUNTAIN POLLEN | NOEL FREIBERT | ODESSA STRAUB | SEAN-KIERRE LYONS | TYLER JONES | YVES GOLDEN DAFFY SCANLAN, AJAKIA SMITH, CANDICE SAINT WILLIAMS + DACHI COLE, YVES B. GOLDEN, GABRIELA RIVERA-MORALES (left to right) CANDICE SAINT WILLIAMS + DACHI COLE Denim | Brady | Geo | Saga Blessure, 2016 wood, string, cloth, metal AJAKIA SMITH Black Box, 2019, mixed media Three Strangers: Fire, Water, Earth, 2019, mixed media YVES B. GOLDEN Estival Braid, 2019, Gold leaf, crystal, rope fibre, wood, wax Shrine Study (Source), 2019, Gold leaf, crystal, rope fibre, wood, wax DAFFY SCANLAN Raya, 2018, colored pencil on canvas GOGO GRAHAM Papuna, 2017, plaster, aluminum wire, latex paint, fabric and synthetic hair WOMEN’S HISTORY MUSEUM Ready to wear garments GABRIELA RIVERA-MORALES Chavelita con fiebre, 2018, acrylic on canvas YVES B. GOLDEN Y.I.S. (crystal body), 2019, Gold leaf, crystal, rope fibre, wood, bees wax ADA O’HIGGINS Denial, 2019, pen on paper ODESSA STRAUB | KEKE HUNT | KIP KIRKENDALL | FIRPAL JAWANDA | KELLEY MCNUTT | MATI HAYS (left to right) MATI HAYS Fashion Without the Garment: Acquisition 001-2019 (Industrial Injection Mold of a Hand Sewing Needle) 2019, aluminum industrial injection mold, antique medical instrument cart, plexiglass, zinc hardware KELLEY MCNUTT | MATI HAYS | FIRPAL JAWANDA | YVES B. GOLDEN | ODESSA STRAUB (left to right) HU DIÈ Two friends of never, 2019, hard gel, art gel, gel polish, acrylic tips, jade on rubber hand (left) SEAN-KIERRE LYONS I wonder if that nigga ever did end up calling Tyrone, 2019, felt, thread, astro turf (right) BRYN BARNETT Untitled, 2019, guitar, feathers, thong, bell, pearl (left) NOEL FREIBERT From Ewe, 2019, muslin, various cotton blend fabric, foam (right) KIP KIRKENDALL | MOUNTAIN POLLEN | HU DIÈ | LOREN MINDAK | ALMA MARÍA ARIAS (left to right) MOUNTAIN POLLEN Untitled, 2018, various fabric, thread (left) ALMA MARÍA ARIAS 75810: Anatomía de un Toro / Anatomy of a Bull, 2017-2019, oil and thread on canvas (right) ARAN SHANMUGARATNAM Nephridium Renaissance, 2019, various media 
Wrath Pin Face Binned - Et al — Press Release Contemporary Art Daily Art Viewer Wrath Pin Face Binned | Guest curatorial project ANDREA LONGACRE-WHITE | BRENDAN FOWLER ERIKA CERUZZI | FLANNERY SILVA | MARISA TAKAL | NATE BOYCE Hosted by Et al. | Minnesota Street Project, San Francisco FLANNERY SILVA (foreground) ERIKA CERUZZI (background) FLANNERY SILVA Gripper Bon (Schoolgirl), 2016, JJ Cole Broadway Stroller Canopy, Playboy Schoolgirl costume, fabric, accessories MARISA TAKAL What Happens to me When All the Raisins are Gone? (“I Believe Every Woman has Made Up Her Mind to Win”), 2016, Marker, pen, crayon, tape, magazine, cardboard, raisins, on paper (left) MARISA TAKAL Jinked Just Those Coffees on the Table During the Epiphany High Moment but This Time you Have a Friend How Nice is That?, 2016, Oil on canvas (right) MARISA TAKAL What Happens to me When All the Raisins are Gone? (“I Believe Every Woman has Made Up Her Mind to Win”), 2016, Marker, pen, crayon, tape, magazine, cardboard, raisins, on paper MARISA TAKAL Jinked Just Those Coffees on the Table During the Epiphany High Moment but This Time you Have a Friend How Nice is That?, 2016, Oil on canvas ERIKA CERUZZI Jima split, 2016, Polyester and ceramic embroidery thread, linen BRENDAN FOWLER JD, 2016, Embroidery on found fabric, acrylic, canvas, artist frame FLANNERY SILVA Gripper Bon (Maid), 2016, JJ Cole Broadway Stroller Canopy, Playboy Maid costume, fabric, accessories ANDREA LONGACRE-WHITE Tech body paint fetish, 2014, Archival inkjet print, used restrain tape, iPad, epson logo paint gesture, staples BRENDAN FOWLER Danielle, 2016, Embroidery on found fabric, acrylic, canvas, artist frame BRENDAN FOWLER Cali, 2016, Embroidery on found fabric, acrylic, canvas, artist frame NATE BOYCE Polyscythe, 2016, Powder coated steel, stainless steel, Epoxy, anodized aluminum, acrylic ERIKA CERUZZI d? alias backflip, 2016, Polyester and ceramic embroidery thread, body ink, canvas MARISA TAKAL To Heighten, to not Relate, to Reach Out, to be Rejected, 2-3 Weeks, 2-3 Movies, 2-3 Times a Week, 2016, Pen, colored pencil, acrylic, paper towel on paper BRENDAN FOWLER Andrea, 2016, Embroidery on found fabric, acrylic, canvas, artist frame ANDREA LONGACRE-WHITE Untitled, 2014, Archival inkjet print FLANNERY SILVA Gripper Bon (Bunny Suit), 2016, JJ Cole Broadway Stroller Canopy, Playboy Bunny Suit costume, fabric, accessories 
Youth Dew - Flannery Silva — Press Release Art News Post-Office Arts Journal Youth Dew FLANNERY SILVA MAY 9 - JUNE 6, 2015